2 Irish Women Win the 2020 Pritzker Architecture Prize
Source 08-03-2020Leave a Comment

Two Irish female architects — friends, business partners, teachers and collaborators since meeting in architecture school 40 years ago — have won the 2020 Pritzker Architecture Prize, the industry’s most prestigious award. Yvonne Farrell and Shelley McNamara of Dublin create deeply rational structures “without grand or frivolous gestures,” said the eight-member jury that decides the award, in its Tuesday, March 3, announcement. “They have managed to create buildings that are monumental institutional presences when appropriate, but even so, they are zoned and detailed in such a way as to produce more intimate spaces that create community within.”

The Pritzker Prize is the most important award in the field of architecture, awarded to a living architect whose built work "has produced consistent and significant contributions to humanity through the art of architecture." In 2019 the prize was awarded to Arata Isozaki, who is regarded as Japan's most influential postwar architect, while Balkrishna Vithaldas Doshi was the winner in 2018. The award has previously been won by Alejandro AravenaFrei OttoRem KoolhaasNorman Foster and Toyo Ito.


Yvonne Farrell and Shelley McNamara are the fourth and fifth women to be named winners of the prestigious award. They follow Zaha Hadid, who was the sole winner in 2004, Kazuyo Sejima, who won alongside Ryue Nishizawa in 2010, and Carme Pigem, who won alongside Rafael Aranda and Ramón Vilalta in 2017.

As founders of the Dublin-based architecture firm, Farrell and McNamara have completed numerous projects in the United Kingdom, France, Italy, and Peru. In the latter country, Grafton Architects has designed their acclaimed University Campus UTEC in Lima, which in 2016 was awarded with the first RIBA International Prize and chosen finalist for the Mies Crown Hall Americas Prize (MCHAP) the same year.


Pritzker Architecture Prize jury citation


Yvonne Farrell and Shelley McNamara have practiced architecture together for forty years in a way that clearly reflects the objectives of the Pritzker Prize: to recognize the art of architecture and consistent service to humanity as evidenced through a body of built work.

Co-founding their professional practice, called Grafton Architects, in Dublin, Ireland in 1978, they have consistently and unhesitatingly pursued the highest quality of architecture for the specific location in which it was to be built, the functions it would house and especially for the people who would inhabit and use their buildings and spaces.

They have an oeuvre that includes numerous educational buildings, housing and cultural and civic institutions. Pioneers in a field that has traditionally been and still is a male-dominated profession, they are also beacons to others as they forge their exemplary professional path.

Many of their buildings are located in their home country of Ireland, but through competitions, they have won major commissions for other places around the world, such as Italy, France and Peru. With a profound understanding of place gained through their research, keen powers of observation, open and ever curious explorations and deep respect for culture and context, Farrell and McNamara are able to make their buildings respond to a setting and city most appropriately, while still being fresh and modern.

This deep understanding of “spirit of place” means that their works enhance and improve the local community. Their buildings are "good neighbors" that seek to make a contribution beyond the boundaries of the building and to make a city work better. Their North King Street Housing in Dublin (2000) is one example of this: it creates an inner courtyard and a welcome respite from the adjacent busy streets.

Their approach to architecture is always honest, revealing an understanding of the processes of design and construction from large scale structures to the smallest details. It is often in these details, especially in buildings with modest budgets, where a big impact can be felt. For example, the Urban Institute of Ireland (Dublin, 2002) employs what the architects call a “crafted skin” to create a visually interesting building through changes in materials responding to openings, folds, needs for shade and other concerns.

At the same time, it employs common sense, good-practice environmental control methodologies for an efficient, sustainable building. On a particularly sensitive site in Dublin, the masterful Offices for the Department of Finance (2009) attests to their knowledge and care in the selection of materials and construction techniques with a carefully handcrafted bronze railing and gate and sanded limestone on the facades.

The architects are skilled and successful working at many scales—from large institutional buildings to a house of only a little more than 100 square meters. Without grand or frivolous gestures, they have managed to create buildings that are monumental institutional presences when appropriate, but even so they are zoned and detailed in such a way as to produce more intimate spaces that create community within. In their large buildings such as the University Campus UTEC (2015) in Lima, Peru or the School of Economics Building (2008) at Universita Luigi Bocconi, they have achieved a human scale through the composition of spaces and volumes of different sizes. The dialogues they create between buildings and surroundings demonstrate a new appreciation of both their works and place.

A constant in their approach, the architects have an understanding of how to design complex sections of buildings in such a way that views connect deep interior spaces with the larger exterior realm and allow natural light to penetrate and animate spaces deep inside a building. Often light streams from skylights or upper story windows throughout the interiors of their buildings, providing warmth and visual interest, helping the inhabitants easily orient themselves in the spaces, and providing the ever necessary connection to the exterior.

For their integrity in their approach to both their buildings, as well as the way they conduct their practice, their belief in collaboration, their generosity towards their colleagues, especially as evidenced in such events as the 2018 Venice Biennale, their unceasing commitment to excellence in architecture, their responsible attitude toward the environment, their ability to be cosmopolitan while embracing the uniqueness of each place in which they work, for all these reasons and more, Yvonne Farrell and Shelley McNamara are awarded the 2020 Pritzker Architecture Prize.




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